Sonu tells regardless of whether the tunes are great the energy of the melodies are heartfelt. Komal tells that is the specialty of old tunes as they straightforwardly contact the hearts of the audience members. Sodhi requests that Bheede keep playing and Bheede plays one more melody committed to Sodhi and plays 'Yamla Pagla Deewana'. Sodhi and Roshan dance together and everybody cheers to see them. After their dance, everybody lets them know that their dance was great.

Hathi inquires as to whether they realize who sang the melody. They don't reply so Sodhi tells that it's been sung by Mohammad Rafi. Popatlal tells Mohammad Rafi is an astounding artist who is extraordinary in his own particular manner. Bheede tells nothing can beat him and clarifies for the children of Tapu Sena that during their time Mohammad Rafi was a gift to everybody. Popatlal tells there's an alternate sort of unadulterated feeling of bitterness in his voice that he cries constantly paying attention to his melodies. Bheede tells he is likewise an author and an artist. Tapu Sena gets amazed. Jethalal requests that he play the following melody.

Iyer advises Bheede to play a melody to which he and Babita can move. Bheede plays 'O Haseena Zulfo Waali' and the two of them dance together and Jethalal feels envious. Everybody cheers their exhibition. Jethalal praises Babita. Then, they discuss how otherworldly Asha Bhosle's voice is. Tapu Sena tell that they will add these melodies to their playlist now. Madhavi advises Bheede to keep playing tunes as it's truly fun paying attention to the melodies. Bheede tells he had told endive in advance that once his sargam begins playing then nobody can quit flowing with it.

Hathi goes out and tens Bheede to turn off the lights and play a Bappi Lahiri melody. Bheede then plays 'Pyaar Bina Chain Kahan Re' and Hathi enters masked as Bappi Lahiri and hits the dance floor with Komal.