Siddharth Nigam as of late shot a serious arrangement on Aladdin: Naam Toh Suna Hoga where he didn't just experience ongoing precipitation on the set yet it came down blood on the set. 

Sharing his experience of shooting such a succession, Siddharth stated, "After quite a while on Aladdin: Naam Toh Suna Hoga we shot a grouping this way. This is the first occasion when we have shot a downpour arrangement like this. In any case the vast majority of our such successions used to be through designs yet, this was constant. Everything felt so genuine and it raised my experience as an artiste. I altogether had a good time during this arrangement. It was an exceptional scene and the whole set-up gave it a day to day existence like feel." 

Discussing how could they make it downpour blood on the sets, Siddharth while breaking into a giggle stated, "To make the water look red in shading, there was an extraordinary red light set up that was done on the set. It was truly fascinating and a savvy method of displaying this irregular downpour." Discussing a few difficulties that came his direction, Siddharth stated, "I presently got this, that shooting progressively downpour isn't simple. You need to keep up your appearances while water continues showering on you and your face. The water goes in your eyes and mouth, so it is hard to hold the articulation and convey discoursed. At a certain point I was feeling a truly cold also however the finished result was acceptable to such an extent that it was justified, despite any trouble." 

Siddharth additionally shared his first response when he caught wind of this downpour succession and he shared, "I was a little uncertain when I previously found out about this arrangement since I can become sick or get bug which is somewhat unsafe particularly during this pandemic. However, as an entertainer you need to acknowledge these demands and I did as well, particularly on the grounds that the scene was splendid and everybody on the set take genuine great consideration of me."